For unity without monotony, use these three techniques
Gertrude Jekyll , the doyenne of early-20th - century British gardening and mother of the modern mixed border , was ever the optimist . On at least one occasion in her later year , however , she admitted that building a garden takes up about a third of one ’s meter on land — in larn and putting that knowledge into drill .
After a third of a century of creating , tweaking , and fine tuning , my garden of mixed borders is no exception . It continues to acquire and change . One of the biggest change fall out after a trip-up to England to visit Great Dixter , the world - course of study garden and manor house of Christopher Lloyd , build in 1460 . After our trip overseas , I announced to my wife , Peggy , that I require to deplumate up our ( then ) 18 - year - onetime garden and reinvent it to mimic theidyllic English garden flavour of Great Dixter .
My own “ Tennessee Dixter , ” a modest emulation of Great Dixter , is still a piece of work in progress . This retentive margin ( actually a serial of borders ) is not only an oasis but also an ever - changing undertaking , which demonstrate that a garden does n’t have to continue to survey one vogue depart years ago . It can — and should — grow and evolve with you . I expend three distributor point to ramp up and keep continuity and beautyin my ever - changing tenacious borderline : distinguishable areas within each border , repeat of key element , and gradual transitions between border .

Create diversity without distraction
Whether you ’re contrive a little bed or one prominent border , pop with a strategy . Otherwise , you may end up with a disjoint , visually unappealing series of plants . Incorporate these elements to create integrity within an exist border and to maintain cohesiveness through any next plus .
1.Distinct areas within the borderline
A stately evergreen container , ring by a large grouping of pinkish phlox appoint a distinct area within this lengthy stretchiness of border .

2.Repetition of key element
The pink of the phlox come out throughout the border in the same or similar plants , lead the eye effortlessly along .
3.Gradual transitions

This arbor , in combining with the climbing vine , provides a politic segue from one garden area to another .
Defy monotony by maintaining distinct areas within the border
When design a delimitation garden — whether you complete it in one fell slide or , like I have , take years to contribute and re - create sections of border — it is important to establish distinct areas within each discussion section to give it life . variety , of course , can easily lead to distraction when there is too much of it . The plant gatherer ’s mania always agitate with the house decorator ’s restraint , with the flora aggregator often winning . It ’s all about set up balance .
Many of the British and other European gardens that I look up to are planted riotously with masses of cozy flowers within conventional fabric , but because the beginnings of my garden were start with ease , I reversed this musical theme to integrate decided formal areas within an cozy layout . I establish these formal field by amalgamate in yew , loge hedge , and Lucy Stone walls . prune into globe , cones , or clouds , boxwoods prove to be worthful in wintertime when most perennials dissipate . After leaf drop , the boxwoods seem to jump out of their milieu . Distinct formal areas are also established by the cellular inclusion of urn , magnanimous pots , and topiaries . On the face of it , this reversal to conventional within intimate , rather than vice versa , would seem incoherent . Surprisingly , however , it work .
declamatory groupings of the same or like plants also create distinct areas that hold monotony . I depend on summer phloxes , for instance , to pull this off during their time of year . Big groups of phloxes of the same color dominate in July and August , but they do not drown because , nearby , there is such a embarrassment of foliage and other colors .

The parts of the border , however , should always be in direct sexual relation to the whole . One way I endeavor to nullify the perception of “ too much ” is to leave a couple of areas in the front of borders for annuals . These are always in one color per emplacement , and the color is one that will blend with perennials of the time of year . I follow cool - season annuals ( Viola , pansies , and genus Dianthus ) with summertime annual ( impatiens , genus Vinca , and wax begonias ) . These annual plantings produce an gist almost year - round .
Create unity with repetition
repeat within a boundary line establishes persistence , which is an essential part of every garden . It leads the eye , drawing you seamlessly from one section of border to the next . When done well , you barely remark that it ’s encounter .
An easy way to lay down repetition is through plant life selection . I am catch with bombastic , bold plant in my borders , and practice numerous cannas ( Cannaspp . and cvs . , USDA Hardiness Zones 8–11 ) , large flame nettle ( Solenostemon scutellarioidescvs . , Zone 11 ) , hostas ( Hostaspp . and cvs . , Zones 3–9 ) , and hardy begonias ( Begonia grandissubsp.evansiana , Zones 6–9 ) .
The key to successful repetition with plant life is to remember that take over something does n’t mean that each feature article is identical . I utilise canna , for representative , in my borders to provide a contrast to fine - leafage plants . But the cannas are different varieties , heights , and foliage soma . They constitute repetition but not to the point in time of ennui .

And , no , the repetition does not have to be of sheer industrial plant , either ; round-eyed plants can be just as in force . I utilise genus Liriope ( Liriopespp . and cvs . , Zones 6–10 ) in my rock - wall delimitation but in a variety of group sizes and mixed colors .
Color is a majuscule mean of repeating , and my borders are all color put on to a sure extent . Most of them are pastel , perhaps due to reading too much British - gardening lit . Pastels in the southerly United States do have a tendency to wash out out , though , which explain why I start a ruby edge in the 1990s . I pull off this bluff move from pastels to bright red using transitional component .
Fuse borders using gradual transitions
Once repetition is established , it ’s important in borders like mine — where the farseeing border is really numerous small gardens joined together — to make a gradual transition from one section of border to another . For gradual transitions , I have establish that one of the best ways to blend one group of more large perennials with another is with the use of climbers or other industrial plant that weave among their neighbors .
I peculiarly like using perennial geranium , my deary among them being stout geranium ( Geranium sanguineumvar.striatum , zona 3–8 ) . These geraniums , resist alone , will top out at 8 inch but easily go up to 18 inches when combined with and allowed to grow into neighboring perennials or bush .
My border also have discrete dividing point that help provide a transition from one section of border to the next , though these are minimal . One perimeter is broken from another , for instance , by a mark path and an bower with mounting vine . Another arbor link two other sections of borderline . Similar coloration at adjoining ends of borders buffer any modification and keep the transition from being too abrupt .

There is one exclusion to these exemplar : A 12 - foot - wide swath of lawn separates a shaded section of pastels ( mostly self - seeded impatiens in summertime and gloaming ) and the red border in full sun . In this case , the transition is more spectacular , and I will say , in all modesty , that some visitors have audibly gasped when turning all of a sudden from the soft shade colors to the vivid red and oranges in full Sunday . Even here , however , continuity is attain by using stone mowing strips , pillars , and matching containers to provide a transition from the final pastel delimitation to this hot - colored section of border .
In the marvellous scheme of things , a third of a century is n’t a long clock time to make and work with a garden you have a go at it . With a little know - how , you could well continue to vary and expand your garden class after class . Do n’t be pall by the fact that it might take years to build . embark on constitute . After all , once you go , at least there will besomethingthere the next solar day .
Lengthen your garden’s performance
I am disappoint if I do not get at least 10 month of attractiveness from most of my mixed perimeter . I usually attract this off by following a few mere steps .
Don’t skimp on bulbs and blooms
If you do some research and planning to get the timing right , you’re able to have blooms from late winter right into summertime . Most eld , I have hundreds of crocuses , early daffodil , and snowdrops on the move by the remnant of January .
Use evergreens to extend the season
Spring and summertime are a garden ’s quality time , but shrub and small Tree keep the mete going late into the gardening time of year . Many cosmetic Gunter Wilhelm Grass also last well into wintertime , carrying on until after Christmas in our clime .
Put in some hours
even deadheading and trim are a prerequisite to time of year - long appearance — this garden is no low-pitched - maintenance wonder . I will even pull some midsummer derelict that has decide to decline and plank in a block - gap annual or bush .
Jimmy Williams , garden editorialist forThe Paris Post - Intelligencer , garden at his home base in Paris , Tennessee .
Photos , except where note : Steve Aitken . Site plan : Martha Garstang Hill .

A border isn’t boring, at least not when you utilize all of your options. With the right techniques, you can mix subtle and bold plants, formal and informal elements, as well as attractive structures and hardscape.
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A border isn’t boring, at least not when you utilize all of your options. With the right techniques, you can mix subtle and bold plants, formal and informal elements, as well as attractive structures and hardscape.
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A good border makes everything better. This strip of lawn becomes a pleasant pathway for the feet, while the eye is admiringly engaged with the garden view.
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Evergreens can be fun and functional. Mix them into your borders to provide repetition and winter interest throughout the border, but avoid monotony by using a variety of shapes.Photo: Brandi Spade
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A red border is a bold statement, but there’s no reason it has to stand out like a sore thumb. Containers, an open grass pathway, and some stone pillars help make this unique bed a part of the whole.
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Vines entwine different sections. By climbing up and over this arbor, the vines provide continuity for both sides of the border.

Photo: Brandi Spade

Photo: Brandi Spade

Photo: Jennifer Benner


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